Much ado has been made about the apparent “messes” that both
Batman V. Superman and Suicide Squad have been this year. It’s
safe to say that I am not siding with the critics on either movie and,
apparently, neither is the movie going audience with Suicide Squad receiving an 70% from the audience versus the 27% average
per critic rating on Rotten Tomatoes. Even Batman
V. Superman (BvS) had an average
rating per audience member of 65% as opposed to the same critic percentage as Suicide Squad. What is puzzling is the
amount of vitriol pointed towards these movies. IGN is still posting videos
about how much they hate Suicide Squad
(SS) two weeks after has been
released.
Let’s look at some evidence in the form of the competition.
We are three movies into DC Extended Universe and each movie exhibited ratings
of 75%, 65%, and 70% for Man of Steel,
BvS, and SS respectively. Now let’s
look at the first three movies of the Marvel Cinematic Universe: Iron Man, The Incredible Hulk, and Iron Man 2. Iron Man, obviously, was universally loved by all garnering a 91%
score from the audience; though, the next two movies were not so lucky at 71%
and 72%. If we include Thor, it
exhibits an audience rating of only 76%. Thus, the scores (save Iron Man) are not that different. It is
also interesting to note that each of these MCU movies has an almost identical
critical score on Rotten Tomatoes.
Another example of failure used by the media is the
drop-offs of money earned between the first and second weeks. This is quite
disingenuous as we see from BoxOfficeMojo.com
that huge drop-offs are a thing to be expected with any huge movie. We are told
almost victoriously that SS had a
drop-off of 67.3% between it’s first and second weekends and BvS had a drop-off of 69.3%. However,
have you read any article showing us that Captain
America: Civil War had a drop-off of earnings of 59.5% between it’s first
and second weekends. Deadpool had a
decrease of 57.4%, X-Men: Apocalypse
had a decrease of 65.3%, Avengers: Age of
Ultron had a decrease of 59.4%, and Ant-Man
had a decrease 56.5%. While, yes, the DCEU had movies with bigger drop-offs,
the differences are quite similar between seemingly all superhero movies.
Marvel hovers around 60% financial decreases with its movies and those all have
boosts of near-universal praise from the critics.
Looking at these raw numbers, there is no question a media
bias exists against DCEU properties no matter how many articles condescendingly
toss that notion aside. The question is, “Why does this bias exist?” The first
thing to look at is the reality that DC has been late to the party and this
puts the company at a severe disadvantage. I wrote in my article about Man of Steel (which is still my favorite
Superhero movie) that critics have had a hard time letting go of the
Christopher Reeve version of Superman and feel like they are somehow insulting his
portrayal by liking the DCEU’s Superman. I feel like the same thing might be
happening with critics in that they love Marvel so much that they have a hard
time accepting any other type of superhero movie.
Another issue that DC has to contend with being late to the
party is that they are damned if they do and damned if they don’t. Green
Lantern was an attempt by DC to do things Marvel’s way and it was a critical,
audience, and financial failure. This prompted DC to follow a successful avenue
they knew and that was The Dark Knight Trilogy
by Christopher Nolan, a much darker take on comics than your average Marvel
movie. Rather than give DC its due for creating movies distinct from the Marvel
feel, critics have derided these efforts. Audiences seem to be much more on
board.
Another idea, which has been posited by DC fans, is that
many of these critics are being paid off to deride the movies of Marvel Studios’
rivals (i.e. DC and Fox). This has been thrown out as ludicrous by a number of
articles from sites like io9
and ScreenRant;
though, these accusations cannot be totally dismissed due to precedent of
critics being bribed for good reviews in the video
game industry. I am not a proponent of the overall theory that all of these
critics are being paid off by Disney or whoever; however, they wouldn’t have to
be. Rotten Tomatoes has been
under scrutiny about it’s scoring system in the past and, in many cases, is
totally subjective on what reviews are considered “fresh” versus “rotten.” Critics
would not have to be bribed, only Rotten
Tomatoes.
It seems the media cannot help being biased one way or
another in any aspect of modern day life. It looks like in the eyes of the
critics, Marvel Studios has already won their hearts and minds and they have little
room for the DCEU.
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